SOMM Recordings is delighted to announce the release of an intriguing new recording, introducing the melodious, rhythmically vibrant choral music and songs of Penelope Thwaites.
Featuring 19 premiere recordings, From Five Continents celebrates a lifetime of making music around the world to showcase Thwaites’ distinctive compositional signature. The disc’s centrepiece, a moving new Missa Brevis, is coupled with four Psalm settings, songs influenced by the sounds of Indian and African music, folk-styles from the Americas and an evocation of the vast Australian outback.
From Five Continents features three outstanding singers venturing into new musical territory. Making their debuts on SOMM are Carolyn Sampson – whose brilliant soprano ranges from shimmering choral solos to guitar-accompanied folk song – and baritone William Dazeley, who vividly conjures the inherent anger of the much-set Fear no more the heat o’the sun, one of five Shakespeare settings.
Enveloped by drums and saxophone, tenor James Gilchrist returns to SOMM for a stirring tribute to Nigeria’s second-largest city, Kano. The composer herself provides exceptional accompaniment on piano throughout the disc.
Also returning to the label is Ex Cathedra under their inspiring conductor Jeffrey Skidmore to demonstrate again a rare versatility and the most beautiful of choral sounds while revelling in the punchy, rhythmic vivacity and telling colours of Thwaites’ music.
Thwaites’ previous release on SOMM was the premiere recording of the concert version of her musical co-written with Alan Thornhill, Ride! Ride! (SOMMCD 017) which featured Keith Michell as the 18th-century religious and social reformer John Wesley. “The strength of Alan Thornhill’s libretto and the sheer variety of Thwaites’ music combine to create a compelling aural drama”, said Gramophone.
Penelope Thwaites is also internationally known as an acclaimed pianist and editor of the widely admired The New Percy Grainger Companion (Boydell Press, 2010).
On This Recording
- Psalm 24, The earth is the Lord’s for soprano, SATB choir and organ
- Psalm 121, I will lift up mine eyes for SAB choir and organ
- Psalm 19, The heavens tell out the glory of God for tenor, piano and violin
- Psalm 23, The Lord is my Shepherd for soprano and piano
- Agnus Dei
- Reverie for baritone and piano
- All the Days of Christmas for soprano and piano
- Forestry for tenor and piano
- Under the Greenwood Tree
- Fear no more the heat o’the sun
- When icicles hang by the wall
- O Mistress Mine
- It was a lover and his Lass
- India – Yaathum Oore Yaavarum Kelir – for choir, saxophone, trumpet, guitars, piano and percussion
- Australia – Walkabout – for soprano, SATB ensemble, guitar, string bass and piano
- Africa – Kano – for tenor, choir, saxophone, piano and percussion
- Cold Winter’s Night for SATB choir, guitars and piano
- A Carol of Christmas Morning for SSATB choir and organ
- Lead, Kindly Light
- St Teresa’s Bookmark
Missa Brevis for soprano, tenor, SATB choir and organ
Five Shakespeare Songs for soprano, tenor, baritone, SATB choir, piano and percussion
India — Australia — Africa
Lead, Kindly Light for SATB choir and piano
St Teresa’s Bookmark for a cappella SATB choir
All works (except Track 10) first recordings
“The variety is remarkable, as is the level of invention and the concise, effective way Thwaites composes. … Being authentic, too, comes across in Thwaites’ disc.” —Colin Clarke, Classical Music Magazine
“This thoughtfully programmed album of choral music and song brings together a range of melodious and interesting pieces, mixing both sacred and secular repertoire. … In Thwaites’ “Missa Brevis”, each of the five sections have strongly contrasting settings. The opening “Kyrie” is solemn, and here Ex Cathedra excel, while the melodious “Gloria” is delivered by the choral forces and Sampson with clarity and exemplary diction. … The “Five Shakespeare Songs” are a delight from beginning to end.They possess a rich, modern harmonic vocabulary. Scored for solo voice, choir, piano and percussion, they reveal Thwaites’ insightful ability to write for choir and to create drama and contrast. Ex Cathedra navigate the complex chromaticism with complete conviction. … Thwaites has a voice of her own in these and creates something intriguing and original. … The recording captures the acoustics of the auditorium well and is ideally engineered for vocal music with changing sizes of ensemble. Thwaites’ style is accessible, interesting and varied. Any choral music enthusiast would take much pleasure from this commendable release.” —Leighton Jones, The Classic Review
“The major work here is a fifteen-minute Missa Brevis; its open-hearted vitality, joy and simplicity – the art that conceals art – works in … a lovely performance by Ex Cathedra under Jeffrey Skidmore – the Gloria, with Carolyn Sampson (soprano) and James Gilchrist (tenor) is irresistible. … Of the shorter pieces Walkabout shows Thwaites’ gift for a catchy tune, with Sampson as pop chanteuse. First rate recording quality.” —Norman Stinchombe, Birmingham Post/Midlands Music Reviews ⭐️⭐️⭐️⭐️
“The composer has been especially fortunate in the performers involved and the intimacy of the recording, all seem to be firmly committed to this music… The texts have been clearly provided and Penelope Thwaites writes briefly about the background to the disc and intriguingly on each of the pieces and how they came to be written.” —Garry Higginson, British Music Society