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Archive for Charles Villiers Stanford

British Music Society Reviews The Travelling Companion

“This double CD is the World Première recording of the last of Charles Villiers Stanford’s nine operas. It contains a narrative element strikingly similar to Puccini’s Turandot. … With the attractive tonal colours of Stanford’s music, in particular his orchestral and choral writing, it provides a fascinating and enjoyable experience. … Performances are excellent, especially […]

Gramophone Declares The Travelling Companion a Landmark Recording!

Gramophone Magazine’s Richard Bratby reviews the world premiere recording of Stanford: The Travelling Companion in the November 2019 issue: “This is a landmark: the first full-length commercial recording of any of Stanford’s nine completed operas. It’s all the more remarkable in having been brought about by the semi-professional New Sussex Opera, who last year revived The […]

Gramophone Spotlights Charles Villiers Stanford

Gramophone Magazine’s October 2019 issue profiles the Charles Villiers Stanford Musical Revival and features SOMM’s recent and upcoming recordings of his string quartets with the Dante Quartet and the upcoming release of Stanford’s opera “The Travelling Companion”. “The recording of The Travelling Companion gives us a unique opportunity to hear a side of Stanford’s musical […]

Gramophone Review for Stanford: String Quartets Nos. 3, 4, & 7

Gramophone reviews the Dante Quartet’s recording of Charles Villiers Stanford: String Quartets Nos. 3, 4, & 7 in the October 2018 issue: “All three of the works on this disc are premiere recordings, an astonishing state of affairs for what must surely be the most significant quartet cycle by any British composer before Frank Bridge. […]

September Releases in the Gramophone Listening Room

James Jolly adds both of our new Charles Villiers Stanford and Elgar releases to his weekly “Listening Room” playlist on Gramophone: “Sir Charles Villiers Stanford’s Seventh String Quartet came as quite a surprise – beautifully constructed (no surprise) but so eloquent and passionate. I’ve always loved Kathryn Rudge’s rich mezzo voice and have long wanted […]